![]() Her early work, including Of Gravity & Angels (1988), focused intently on natural settings, the personal, and eros. Hirshfield’s poems hinge on a turning point or moment of insight. “I don’t think poetry is based just on poetry it is based on a thoroughly lived life.” “I felt that I’d never make much of a poet if I didn’t know more than I knew at that time about what it means to be a human being,” Hirshfield once said. She then put aside her writing for nearly eight years to study at the San Francisco Zen Center. Her first poem appeared in The Nation in 1973, winning what would the next year become the Discovery Award, shortly after she graduated from Princeton as a member of the university’s first graduating class to include women. ![]() ![]() ![]() Hirshfield’s work encompasses a large range of influences, drawing from the sciences as well as the world’s literary, intellectual, artistic, and spiritual traditions. Hirshfield is also the author of two collections of essays, Nine Gates: Entering the Mind of Poetry (1997) and Ten Windows: How Great Poems Transform the World (2015), and has edited and co-translated four books collecting the work of world poets from the past: The Ink Dark Moon: Poems by Ono no Komachi and Izumi Shikibu, Women of the Ancient Court of Japan (1990) Women in Praise of the Sacred: Forty-Three Centuries of Spiritual Poetry by Women (1994) Mirabai: Ecstatic Poems (2004) and The Heart of Haiku (2011). Award-winning poet, essayist, and translator Jane Hirshfield is the author of nine collections of poetry, including Ledger (2020) The Beauty (2015), longlisted for the National Book Award Come, Thief (2011), a finalist for the PEN USA Poetry Award and Given Sugar, Given Salt (2001), a finalist for the National Book Critics Award. ![]()
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